Clothing wise, dress for warmth. I go with layers, and lots of them, thermals, cotton T-shirt, jumper and then a waterproof jacket.  Footwear wise I went with my battered Nike Free runners, but I really should invest in some surf boots as these would keep my feet much warmer.

Why am I talking about clothing when your all probably more interested in the photographic gear used? In short, you want to be mobile so therefore you will need only the bare essentials. In my case it is the Nikon D300 + Tamron 17-50mm f/2.8, tripod and Grad ND filters. I chose to use my Lowepro Inverse200AW so I didnt have to take off my bag to get to my gear. My Tokina 10-17, Nikkor 50mm f/1.8 and Tamron 70-300mm also came for the trip but weren’t used.

In filters I look for a few things:

• high quality glass
• thin rings to reduce vignetting
• high quality multi-coating

This lead me to the B+W MRC XS-Pro UV Haze, Nikon NC, Rodenstock HR Digital and Tiffen Digital HT. All of these filters are premium grade filters with immense reputations, and most importantly, reasonably available to me. However the solid brass rings and Schott glass combined with the UNCONDITIONAL LIFETIME WARRANTY (offered by the Australian Importer/Distributor) of the B+W filter won me over. I ordered a selection of sizes, 77mm (possibly to replace the Marumi on my 24-70, but mostly as a spare), 67mm (so I could move my Hoya HMC to my new 16-85VR and have the B+W on my Tamron 17-50), 62mm (for my 60mm Micro) and a 52mm (for my 35mm f/1.8 DX).

The 77mm and 67mm filters arrived today and it is amazing how these filters simply ooze quality. Having used and handled Marumi DHG, Marumi Super DHG filters, Hoya Pro 1D, Hoya HMC and Nikon NC filters I didnt expect a German made filter to be much different. Somehow they have a very different feel, must be that brass! I cant wait until my other filters arrive.

However it is still to be seen how they wear, but then again so many other people cant be wrong, right?

First off it was off to Ku Ring Gai Chase National Park for a day of light hiking. Having just written a post about going back to basics I was feeling a bit guilty about that poor D300 sitting around not doing too much so I lugged that and a few lenses for the day. Also in the bag for the day was my reliable Tamron SP 17-50mm f /2.8 as well as a few other lenses. Most importantly I decided to grab my Cokin filter set (ND Grads). We did two hikes, neither being very long, but the most rewarding photographically was the short 1km walk down the America Bay, where we were treated to a spectacular view that is not typical Australia.

The next day, instead of sleeping in and resting we headed out to La Perouse, to explore Bare Island and then headed onto the Henry Head Scenic Walk. I am less happy with the photos from the day, but it was still great to get out there and take pictures. I took the D60 and the 16-85mm VR with the Cokin filters (which I didn’t end up using) and didnt actually feel like I was restricted at all. In many ways I feel that I am now more in tune with the D60 than I am with the D300.

By this point in time, any sane person would be headed home to rest before having to go to work the next day, but not me. I got a call from a friend who had not been able to get out to Vivid Sydney, and it was the last night of the festival, so I could not refuse the invitation. Now I have mentioned Vivid Sydney a few times, but have yet to share photos. In short I have been collecting my photos from the festival until the end before bombarding you with a few of my favourites. As a whole I have to admit that the festival was not as good as it was last year, but it did have some highlights for me. Over the last year I have managed to accumulate a few lenses that and skills that I didn’t have last year so the pictures are not at a loss. That Tokina AT-X DX 10-17mm Fisheye certainly has proved its worth.

First up was a compact only day, where a few friends and I did a pretty nice hike from Otford lookout down to Burning Palms and the Figure 8 pool. This hike is rated as “HARD” and really lives up to that rating, hence I didnt complain about only bringing a compact camera. So which compact did I bring? The Sony Cyber-Shot TX5 got the honours that day, mainly because it is so small and lightweight as well as being waterproof without a case, and it was in good company with a Panasonic Lumix LX-3 also in attendence.

This exercise was followed by a long nights sleep, but the next night I found myself hauling out an insane amount of gear to participate in a model shoot. My D300 got another decent workout, along with my AF-S 24-70mm f/2.8 and AF-S 70-200mm f/2.8 VR. Being a night shoot there needed to be light, so out came my Nikon SB-800 and SB-600. These were used in conjunction with some coloured gels and the diffuser panel from a Phottix 5-in-1 reflector.

I ended the ANZAC day long weekend with a trip out to the Royal Botanical Gardens. For this trip I decided to travel light, my shoulders still being sore from the weight of the previous nights adventures with the Lowepro Magnum 400AW, so out came my Nikon D60. If you remember my earlier post “Who needs a proper macro?” then you will remember that although I own a Sigma APO EX DG 180mm f/3.5 Macro, I dont always use or carry this behometh. This time, instead of using a Marumi close up kit with my Nikkor AF-D 50mm f/1.8, or my Tamron 70-300mm (1:2 Macro), I was using my Nikkor AF-S DX 35mm f/1.8 with a set of Phottix Nikon AF Extension tubes. My baby Nikon SB-400 and Phottix Duo Cable provided the lighting.

I have to apologise as I am still working on the Velvia scans as mentioned in this post. Also I have updated my gear location, at the moment I only have a SB-400, my other flashes are on loan!

Taken with my Nikon D300 + MB-D10 with my trusty Tamron SP 17-50mm f/2.8 and the ever useful Tamron 70-300mm.

This lens is clearly designed to compete with the Nikkor AF-S 70-300mm f/4-5.6 VR and the Canon EF 70-300mm f/4-5.6 IS USM, featuring the same focal range, image stabilisation (VC) and fast silent focus. (What does the alphabet soup mean?)

I know I will be keeping a close eye on this lens as a possible replacement for my Tamron 70-300mm (1:2 Macro).

Full press release available here.

I used my Nikon D300 and Tamron SP 17-50mm f/2.8 for these photos with some photo editing done in Photoshop CS2 and Capture NX2.

Yesterday, I headed to the Australian Museum to see the Wildlife Photographer of the Year exhibition, which included an interactive photo studio component this year. Armed with my Nikon D60, Nikkor AF-S 35mm f/1.8 and Sigma 180mm f/3.5 Macro I headed in. A prime kit? Between these two lenses I have everything I want, from close focus ability to candid captures, throw in the SB-400 and the Phottix Duo Cable I am ready to take on anything.

That evening I attended the DSLRusers/ex-SURCAS/current SURCAS fire night, an event that I had organised with the help of my friends from SURCAS. Although I was officially there as part of the photographic party, I was too tempted with the thoughts of playing with fire and spent a fair bit of time with the staff in hand. My D300 spent most of the night in the company of the Tamron SP 17-50mm f/2.8 and my Manfrotto 055 Pro B/322RC2 combo. The Tokina 10-17 fisheye and Nikkor AF-S 70-200mm f/2.8 VR also made appearances.

These were taken with my Nikon D60 and the Nikkor AF-S 24-70mm f/2.8. Some of the photos in this gallery used the Phottix Duo Cord + Nikon SB-400 combination as well.

On another note, my venerable Nikon F80D is out on loan again, this time accompanied by my Tamron SP 28-205mm f/2.8 and my Nikkor AF-D 28-80mm. This means my current gear status is….

I have done an evaluation of my current arsenal (details here, locations here) and am quite pleased to say that despite the foul luck I have had over this year, I have come into the holiday period with few casualties. My Nikon D300 comes into this period in pretty good shape having just been serviced, finally fixing the LCD issue, save for a damaged viewfinder eyecup (DK-23) for which a replacement has been ordered.  The only other stand out’s are my Tamron SP 17-50mm f/2.8 (Model A16N) which is still awaiting the arrival of a replacement DA09 lenshood, to replace my damaged one.

Sadly, my Fujifilm FinePix F100fd is now listed as MIA (Missing In Action) as its current location is uncertain. I really hope it is found soon, otherwise I will be tracking down another to replace it (to keep my WP-FXF100 useful otherwise I will be out for another underwater casing).

Finally, I thought I would share some of my recent images taken whilst out with some friends at night.