Scout Images

I pulled an all nighter last night, but the reward was great. I am now writing this on my new AMD Dragon Platform, to add to the reward, this was the first time I had built a computer from the ground up (all the way from picking out the bits to putting it all together). I couldnt help but snap a few pics of the computer coming together.

Taken using Nikon D300 + Micro Nikkor AF-D 60mm f/2.8, lit by SB-600 and SB-800 using CLS.

The final spec is:

• AMD Phenom II X4 965 Black Edition 125 TDP
• Noctua NH-U9B SE Cooler
• ASUS M4A89GTD PRO /USB3
• 8GB OCZ Gold Low Voltage PC12800 DDR3 RAM
• XFX ATi HD Radeon 5850 Black Edition
• Seagate Barracuda 500GB HDD
• Seagate Barracude 1.0TB HDD
• Samsung SH-S223 SATA TruDirect DVD Burner
• Corsair HX 850 Modular PSU
• ANTEC Nine Hundred Case

Despite not yet having found the time to go through the images that I took over the weekend (they are coming) I am going to introduce you all to my latest addition. So new to my arsenal that I have yet to have found the time to break out the light tent to shoot some product style images of this baby.

I am now the happy owner of a AF Micro Nikkor 60mm f/2.8D. This lens is a welcome addition to the kit bag and will probably mean that my Sigma 180mm f/3.5 Macro will spend even less time out and about, but it will mean I now have another, lighter, macro solution.

Another piece of news to be shared is that I am in the process of upgrading my main computer. My venerable AMD Athlon X2 4200+ system is about to turn 5 and is starting to show its age, so it’s successor is in the process of being built. What will it be? For all those nerds out there:

• AMD Phenom II X4 Black Edition 3.4GHz 125TDP
• Noctua NH-U9 CPU Cooler
• ASUS M4A89GTD Pro USB3
• 8GB OCZ Gold Low Voltage DDR3 1600 RAM
• XFX ATi Radeon HD 5850 Black Edition GPU
• Antec Nine Hundred case
• Corsair HX 850 PSU

This DRAGON system has proven to be hard to assemble with parts trickling in (still waiting on that Noctua) but I couldn’t help but to unbox the XFX. So here are some of the first shots from this lens (mounted on my D300, lighting provided by SB-800 and SB-600 using CLS).

I have managed to get the camera out twice in the last week, the first time it was when I headed out to the city for coffee and cake (which became chocolate and chocolate). As an impromptu chance, I grabbed my Nikon D60 and it so happened that I had my Nikkor AF-D 50mm f/1.8, which meant manual focus.

Just yesterday I was given the opportunity to accompany a good friend to a shoot at a slightly different location. This was a model shoot at an abandoned warehouse/factory. This is not my usual sort of thing, but I brought out some toys and headed off with an open mind. What do you bring when you are not sure what you will be doing? I brought along my Nikon D300, Nikkor AF-S 24-70mm f/2.8, Nikkor AF-S 70-200mm f/2.8 VR, Nikkor AF-D 50mm f/1.8, Nikkor AI 135mm f/2.8, Sigma APO EX DG 180mm f/3.5 Macro, Nikon SB-400, Nikon SB-600 and Nikon SB-800. Not everything got used in the end but I didnt feel like I missed out on anything.

It has been a bit of a long and enjoyable long weekend for myself, with a triple dose of photography, something that I have not been able to do in a long time.

First up was a compact only day, where a few friends and I did a pretty nice hike from Otford lookout down to Burning Palms and the Figure 8 pool. This hike is rated as “HARD” and really lives up to that rating, hence I didnt complain about only bringing a compact camera. So which compact did I bring? The Sony Cyber-Shot TX5 got the honours that day, mainly because it is so small and lightweight as well as being waterproof without a case, and it was in good company with a Panasonic Lumix LX-3 also in attendence.

This exercise was followed by a long nights sleep, but the next night I found myself hauling out an insane amount of gear to participate in a model shoot. My D300 got another decent workout, along with my AF-S 24-70mm f/2.8 and AF-S 70-200mm f/2.8 VR. Being a night shoot there needed to be light, so out came my Nikon SB-800 and SB-600. These were used in conjunction with some coloured gels and the diffuser panel from a Phottix 5-in-1 reflector.

I ended the ANZAC day long weekend with a trip out to the Royal Botanical Gardens. For this trip I decided to travel light, my shoulders still being sore from the weight of the previous nights adventures with the Lowepro Magnum 400AW, so out came my Nikon D60. If you remember my earlier post “Who needs a proper macro?” then you will remember that although I own a Sigma APO EX DG 180mm f/3.5 Macro, I dont always use or carry this behometh. This time, instead of using a Marumi close up kit with my Nikkor AF-D 50mm f/1.8, or my Tamron 70-300mm (1:2 Macro), I was using my Nikkor AF-S DX 35mm f/1.8 with a set of Phottix Nikon AF Extension tubes. My baby Nikon SB-400 and Phottix Duo Cable provided the lighting.

I have to apologise as I am still working on the Velvia scans as mentioned in this post. Also I have updated my gear location, at the moment I only have a SB-400, my other flashes are on loan!

I had an interesting day photographically. This morning I headed over to a friends place to have my widened by the many different coffee’s available. Being an occasional coffee drinker, I knew there were different types of coffees but didnt realise how different they are.

Much later this evening I shot my friends car. This car has been his pride and joy for the last 18months slowly being converted from a stock standard Peugeot 206 to a mean little show car with a bark and a bite that he has dubbed the “GTX”. However he is moving on and will be selling the car to finance something a bit larger and more practical to his changing needs. For these photos I used a variety of lenses (AF-S 24-70mm f/2.8, AF-S 70-200mm f/2.8 VR, Tokina 10-17mm fisheye) on my Nikon D300. Lighting was provided by my trusty Wolfeyes Defender 260 and my SB-800 and SB-600 speedlights.

I just thought I would share some new products that Phottix has been cooking up.

First of all is the Duo TTL cord, a flash sync cable that allows you to mount a flash on both ends of the cable…which comes in 1m, 1.5m and 2m (all coiled) these cables are all universal, being compatible with Nikon/Fuji iTTL (I have tested), Canon eTTL (I have tested), Olympus and Pentax/Samsung. However, the name of this product is slightly misleading, although TTL is retained perfectly when one flash is used, when the second flash is added (or turned on) you have to switch BOTH flashes to manual. This is CLEARLY stated on the packaging so as far as I am concerned Phottix is not being misleading. The usual caveats of using compatible camera and flashes is necessary. I have tested these cables with Nikon D3000, Fuji S5 Pro, Canon EOS 1000D, SB-400, SB-600, SB-800, Nissin Di622, 430 EX II.

Second up are the new Phottix AF Extension Tube sets – available for both Nikon and Canon (I have tested both). The good news is that they work, although they are still very basic extension tubes, the AF (AF-S, AF-D, USM) and image stabilisation (VR and IS) are retained. However I did find that you have to be pretty careful when mounting them on camera. I have not had any experience with extension tubes, but I can say that stacking all three tubes together appears to hamper the AF ability of lenses on a Canon EOS 1000D (18-55 IS, 50mm f/1.8 and 60mm f/2.8 macro). I have only briefly used them on a Nikon D90 + 18-105VR and 50mm f/1.8 but will hope to play with the Nikon ones more soon.

I have personally purchased one of the Duo TTL cords (1.5m as we only bought these) for myself and have purchased a set of the AF extension tubes (Nikon mount) for a friend. I would like to have a close look at the Kenko set of extension tubes to compare the two products as the Canon mount Phottix set appear to be very primitive with simple rods passing on the electronic signals to the lenses. The Nikon mount version appear to be more complex as they also pass through the screwdriver signal for AF-D lenses (and you cant see the guts of the extension tubes).

The Phottix Duo TTL cord

Unfortunately I have not been able to locate a link for the Phottix AF Extension Tube Sets

I do not work for Phottix, but I do use a lot of Phottix gear and do have a working relationship with Phottix. I buy all my Phottix gear (if this changes I will make sure I will clearly state this) and all my thoughts on the gear is as free from bias as possible.

As mentioned before (here, here and here) I have finally gotten around to taking a few pictures of my new toys, the AI Nikkor 135mm f/2.8 and the Tokina AT-X DX 107 AF 10-17mm Fisheye. Since my Nikon D300 is away (yet again…refer here) so the Fuji S5 Pro has been pressed into service. The gear used?

• 75cm x 75cm x 75cm light tent (sorry I have to iron the backgrounds but couldnt be bothered this morning)
• SB-800 and SB-600 (at 45 deg to light the light tent, controlled using CLS)
• Sigma 180mm macro, Nikkor AF-S 24-70mm f/2.8, Tamron SP 17-50mm f/2.8

I got carried away and did some more images of my other lenses as well.

I have just come home from a meet where we experimented with the technique of light painting. Using various light sources, including high powered LED torches (my Wolf Eyes Defender 260) and camera flashes (SB-600 and SB-800) in conjunction with soft boxes we painted up a beautiful 1966 Ford Mustang. I used my both my D300 and D60 with my Manfrotto 055 ProB and that Phottix Ball head. The lenses of choice for this exercise were the Nikkor AF-S 24-70mm f/2.8 and the Tamron SP 17-50mm f/2.8.

There is still a bit of work to be done for this technique but getting some form of result was very rewarding!

Here are few pictures from the joint end of semester party for USYD PhotoSoc and UTS Exposure, not my best work but I did promise that they would be up. Most of these are the result of playing with our (USYD PhotoSoc) giant polaroid frame using  a couple of SB-600′s and a SB-800 in conjunction with a shoot through umbrella.

The SB-400 is the baby of Nikon’s speedlight line up, designed to be cheap, compact, light and easy to use. Lacking CLS (Creative Lighting System) compatibility, restricted manual controls, zoom and only tilting in one direction, a lot of people overlook this diminutive flash in preference for the large and more versatile SB-600, SB-800 and SB-900, and this is not an entirely bad move to make. BUT the SB-400 should not be written off as a flash that was designed to hit a price point, as it caters for a very important target market, who would really benefit from this flash if they considered it for what is does….more